1. |
Surface
03:28
|
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2. |
Separated
02:45
|
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3. |
August
02:16
|
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4. |
Vacation
03:13
|
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5. |
Undone
02:05
|
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6. |
Basement
03:30
|
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7. |
Dune
02:27
|
|||
8. |
Dissolve
03:04
|
|||
9. |
Gone
02:44
|
|||
10. |
Vision
02:54
|
Church Girls Philadelphia, Pennsylvania
Indie punk from Philadelphia, PA.
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supported by 34 fans who also own “Still Blooms”
So Kiwi it hurts. In a fantastic, life-affirming, charming, self-deprecating manner, replete with self-aware ironic smile tugging at the corner of the mouth. I love the timing & key changes. Top notch indie jangly guitar-pop tending rock. Hooked. "I Want to Listen" , and "Change in the Weather" Liz channels Anna Burch and manages to upstage her. I'm off to mix some drinks with my messages, then I might pin some hopes to the wrong pincushion! ❤
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supported by 29 fans who also own “Still Blooms”
This might be the tightest "indie garage pop-tending-rock" album I know of. Arrangements are top notch. Correcting a glaring omission in my collection here by buying the Beths albums while it's still _just_ NZ Music Month! What an opening track! Jump Rope Gazers and Don't Go Away - instrumentation is outstanding on both tracks - tough choice, any one makes for a worthy choice as fave track.
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Future Me Hates Me
by The Beths
supported by 27 fans who also own “Still Blooms”
Such a good album with really catchy riffs and lyrics. I put this on and immediately feel happier.
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Aussie upstarts juxtapose tightly-wound post punk songwriting with nuanced production, jangling choruses, and heady jams.
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Max Goldstein makes "acoustic" music that is a unique mix of guitar, experimental electronics, and percussion. Make indie rock weird again.
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St. Louis DIY stalwarts Shady Bug's latest EP is languid, low-key indie rock that combines warm dream pop tones with alt-rock crunch.
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